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4 November 2026

Washington’s Fort Dupont rink gets $39M facelift, fuels youth hockey revival

After a $39M overhaul, Fort Dupont rink welcomes back 89‑year‑old coach Neal Henderson and his Cannons, sparking a fresh wave of youth hockey in D.C.

Washington’s Fort Dupont rink gets $39M facelift, fuels youth hockey revival

The only indoor ice facility in Washington, D.C., emerged this December from a $39 million renovation that began in spring 2023. The upgraded Fort Dupont Ice Arena not only boasts modern locker rooms and improved seating but also marks the return of a historic youth program that has shaped the city’s hockey landscape for nearly five decades.

At the heart of the revival is Neal Henderson, an 89-year-old former semi-pro player, Air Force veteran, and the sole Black inductee of the U.S. Hockey Hall of Fame (class of 2019). Henderson founded the Fort Dupont Cannons in 1978 with a mission to teach teamwork, discipline and confidence to children from Washington’s most underserved neighborhoods. After the arena’s temporary closure, his program operated out of Maryland’s Tucker Road Ice Rink; now, it has reclaimed its original home.

Rebuilding the program: a second-home for the Cannons

District Department of Parks and Recreation (DPR) director Thennie Freeman emphasized the symbolic importance of the partnership: “The Cannons were historically at Fort Dupont Ice Arena, and it felt natural to bring them back as the first hockey development effort under DPR leadership.” The new Youth Hockey Development Program launched on October 5, enrolling about 20 boys and girls, ages eight to thirteen, who wear the team’s distinctive white, yellow and black jerseys.

Practice sessions run three days a week—Monday, Wednesday and Saturday—each lasting two hours. Coaches Hank Lee, Ralph Featherstone, and several former Cannons alumni lead the drills, while Henderson watches from the bench, offering occasional on-ice commentary. The curriculum is deliberately skate-centric: for the first four weeks, participants learn forward and backward skating without sticks or pucks. “Why give them sticks before they skate confidently?” Henderson asks. “When they master movement, the equipment arrives.”

This philosophy mirrors the approach Henderson has used with more than 1,500 players since the program’s inception. By focusing on fundamental skills, the Cannons aim not only to develop competent athletes but also to nurture resilient individuals. The effort has earned national recognition, featuring in the 2022 documentary The Cannons (Brothers on Ice)—produced in part by former NBA star Russell Westbrook—and securing a place in the Smithsonian’s National Museum of African American History and Culture’s Black hockey exhibit.

Capitals stumble: recent home defeats

While the arena celebrates a hopeful start, Washington’s NHL franchise struggled on the same ice. Over the past week the Capitals suffered back-to-back home losses. On Saturday they fell 5-1 to the Minnesota Wild, a game many analysts labeled winnable before the opening whistle. A few days later, they rallied from a 4-0 deficit against the Dallas Stars, only to fall short 6-5, ending a night of fierce comeback attempts.

These outcomes highlight a broader challenge for the city’s hockey community: balancing elite competition with grassroots growth. The Fort Dupont renovation and Henderson’s program aim to expand the talent pool, offering young athletes a pathway to higher levels of play. DPR’s Freeman notes, “Our goal is to produce a competitive Cannons team that eventually feeds into broader leagues, mirroring the developmental pipelines we see in football.”

As the Capitals regroup, the freshly reopened rink stands ready to support both professional aspirations and community dreams, underscoring the arena’s role as a catalyst for Washington’s entire hockey ecosystem.

Beatrice Mitchell
Author

Beatrice Mitchell

Beatrice Mitchell, Manchester-rooted and classically elegant, famously commissioned a rebuttal series after a controversial council planning meeting in Stockport, insisting on community testimony. Holds a firm editorial line on accountability and narrative fairness, and collects vintage city planning maps as an idiosyncratic hobby.